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"Métamorphoses, Cheminées, The Attic Pictures"

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Photo of the Week

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Even art-loving dogs had to wrap up during the recent cold snap in Paris. Photo: Eric Tenin of Paris Daily Photo.

 

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Paris Update Fashion Flash

FRENCH MICHAEL MOORE TAKES ON
NATIONAL FOOD INDUSTRY

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The motto of Le République de la Malbouffe: "Opacity, Obesity, Precarity."

Xavier Denamur, the owner of five small restaurants in Paris, is a man on a crusade. It began with the 2009 decrease in value-added tax from 21.6 percent to 5.5 percent on restaurant meals, which he says favored big chain restaurants without helping the small independents as promised. Going beyond that issue, he blames French government policies and a lack of transparency in the food industry for the increasing industrialization of food preparation and delivery, the degradation of food quality in France, and increasing obesity and public health costs. One of his campaigns calls for legislation that would create a label informing restaurant customers whether the food is prepared from fresh ingredients on-site or is factory-made or frozen.

Denamur has formed an association called La République de la Malbouffe (The Republic of Bad Food) and has just released a documentary film of the same name, directed by Jacques Goldstein. Unfortunately, the film lacks focus and does not get his laudable message across clearly. Shown only in a handful of Paris cinemas, it is also available on DVD (with issue no. 17 of Rue89 magazine, for €5). Denamur continues to hold debates and chase politicians, hoping to get them to listen to his call for transparency. “My goal is to get citizens interested in politics again,” he says, by encouraging them to vote and write to their representatives. Heidi Ellison

 

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Paris Update Art Notes

ANDREAS SLOMINSKI


Recent works by Andreas Slominski at the Galerie Thaddaeus Ropac in Paris (through February 29). Video by Nikolaï Saoulski. Click here for larger screen.

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

Festival Circulation(s)

> Festival promoting the work of young European photographers, Bagatelle Garden, Bois de Boulogne, Feb. 25-March 25

Leonardo Live

> Filmed tour of the Leonardo da Vinci exhibition at the National Gallery in London, various cinemas, Paris, Feb. 16.

London Calling

> Festival of British films, Forum des Images, Paris, through Feb. 29.

Nouveau Festival

>A "cross-disciplinary" festival at the Centre Pompidou. Free admission. Feb. 22-March 12.

Paris Fine Art

> Art and antique fair, Palais des Congrès, Paris, through Feb. 20.

Robert Altman Film Festival

> Cinémathèque Française, Paris, through March 11.

Salon International de l'Agriculture

> A barnyard in Paris, with the best of the country's livestock and products made from them, Feb. 19-27

Steven Spielberg Film Festival

> The entire œuvre, Cinémathèque Française, Paris, through March 3.

Touts-Petits Cinéma

> Film festival for kids from 18 months to 4 years, Forum des Images, Feb. 18-26.

 

 

Restaurants - Contemporary

 

Chez Catherine

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Chez Catherine restaurant, Paris

Great value for money at 10 euros less.

Pros: Good-quality, well-cooked food; pleasant, quiet atmosphere; no space problems.

Cons: Prices a bit high.

Chez Catherine has taken a bit of stick from the reviewers in recent weeks, and in a sense one can see why, as it is much of a muchness with the likes of L'Arôme and ETC, which both have their Michelin stars now. The smart brown decor is there, as is the supremely professional service. And a staff of three beavers away in a fishbowl kitchen.

Perhaps part of the critical non-acclaim is nostalgia for Chez Catherine when it was Chez Catherine in Rue de Provence, with Madame C in her kitchen, refusing to let her lunchers in before half after midday, regardless of the weather, and a reasonable wine list dug out by the husband (all this information was kindly supplied by my lunch companion).

But Catherine and her other half have retired, and the restaurant has moved and gone aspirational.

I found nothing to carp about when it came to the food: I had the €37 lunch menu, which offered marinated fresh salmon followed by roast guinea fowl with an en-suite Grand Marnier soufflé glacé. My companion, who ate à la carte, just to see, felt I had gotten a better deal with the prix-fixe. His fricassee of snails starter and veal blanquette main dish were deemed a bit pale in comparison and needed to be jazzed up with the condiments.

He says I’m too easy on the chefs. I say it was pretty good in terms of quality, cooking and presentation. But here’s the rub. The meal would have been great value for money if it cost 10 euros less. Not that that matters one iota for the folk eating as guests of people with company expense accounts.

We had a very nicely made bottle of generic Syrah from the Domaine de la Bastide, which was the cheapest tipple on the wine list, but none the worse for that.

Chez Catherine will make its money from the smarter businesspeople in this part of town and should certainly not disappoint in terms of quality, but for this luncher, it’s a tad on the expensive side for what you get, and I would be unlikely to cross town to go back there, although I probably would return if I wanted to have an intimate lunch with someone after attending a show at the nearby Jacquemart-André Museum.

Richard Hesse

Chez Catherine: 3, rue Berroyer, 75008 Paris. Tel.: 01 40 76 01 40. Métro: Charles de Gaulle Etoile. Nearest Vélib stations: 177, rue du Faubourg Saint-Honoré; 31, rue d’Artois. Open Monday-Friday. Fixed-price menu: €37, à la carte: €50-60.

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