Vivian van Blerk

"Métamorphoses, Cheminées, The Attic Pictures"

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Beckel Odille Boïcos

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Photo of the Week

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Even art-loving dogs had to wrap up during the recent cold snap in Paris. Photo: Eric Tenin of Paris Daily Photo.

 

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Paris Update Fashion Flash

FRENCH MICHAEL MOORE TAKES ON
NATIONAL FOOD INDUSTRY

Paris-Update-republique-de-la-malbouffe-Marianne

The motto of Le République de la Malbouffe: "Opacity, Obesity, Precarity."

Xavier Denamur, the owner of five small restaurants in Paris, is a man on a crusade. It began with the 2009 decrease in value-added tax from 21.6 percent to 5.5 percent on restaurant meals, which he says favored big chain restaurants without helping the small independents as promised. Going beyond that issue, he blames French government policies and a lack of transparency in the food industry for the increasing industrialization of food preparation and delivery, the degradation of food quality in France, and increasing obesity and public health costs. One of his campaigns calls for legislation that would create a label informing restaurant customers whether the food is prepared from fresh ingredients on-site or is factory-made or frozen.

Denamur has formed an association called La République de la Malbouffe (The Republic of Bad Food) and has just released a documentary film of the same name, directed by Jacques Goldstein. Unfortunately, the film lacks focus and does not get his laudable message across clearly. Shown only in a handful of Paris cinemas, it is also available on DVD (with issue no. 17 of Rue89 magazine, for €5). Denamur continues to hold debates and chase politicians, hoping to get them to listen to his call for transparency. “My goal is to get citizens interested in politics again,” he says, by encouraging them to vote and write to their representatives. Heidi Ellison

 

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Paris Update Art Notes

ANDREAS SLOMINSKI


Recent works by Andreas Slominski at the Galerie Thaddaeus Ropac in Paris (through February 29). Video by Nikolaï Saoulski. Click here for larger screen.

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

Festival Circulation(s)

> Festival promoting the work of young European photographers, Bagatelle Garden, Bois de Boulogne, Feb. 25-March 25

Leonardo Live

> Filmed tour of the Leonardo da Vinci exhibition at the National Gallery in London, various cinemas, Paris, Feb. 16.

London Calling

> Festival of British films, Forum des Images, Paris, through Feb. 29.

Nouveau Festival

>A "cross-disciplinary" festival at the Centre Pompidou. Free admission. Feb. 22-March 12.

Paris Fine Art

> Art and antique fair, Palais des Congrès, Paris, through Feb. 20.

Robert Altman Film Festival

> Cinémathèque Française, Paris, through March 11.

Salon International de l'Agriculture

> A barnyard in Paris, with the best of the country's livestock and products made from them, Feb. 19-27

Steven Spielberg Film Festival

> The entire œuvre, Cinémathèque Française, Paris, through March 3.

Touts-Petits Cinéma

> Film festival for kids from 18 months to 4 years, Forum des Images, Feb. 18-26.

 

 

Restaurants - Contemporary

 

KGB (Kitchen Galerie Bis)

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KGB (kitchen galerie bis), restaurant, paris

Chef William Ledeuil has opened a baby-sister bistro to his much-loved Ze Kitchen Galerie.

Back in Paris after two weeks of almost uninterrupted glorious sunshine in La Rochelle. Talk about a reality check: two weeks of people being nice to you and then, whammy. Even after over three decades in Paris, the sheer unpleasantness of customer-facing people in its shops still takes my breath away. Even more so after an absence, of course.

Katherine, my London-based girlfriend, and myself are smitten by La Rochelle. For the space of 24 hours we even got excited over a ground-floor apartment with a handkerchief of a garden about a 5-minute walk from the Old Port, La Rochelle’s passeggiata and 150 yards from the mind-blowing produce market, where nearly a quarter of the stalls sell fish, and which is surrounded by cafés. Then reality kicked in, and we waved goodbye to the apartment and La Rochelle. But we’ll be back, I hope, in the not-too-distant future, to settle there permanently. It is perfectly described by the advertising slogan for a French small car: “Elle a tout d’une grande” (“It has everything a big one has.” With the ocean thrown in.

It has restaurants, for example, as I told you last year. So many of them that I sometimes wonder how they manage in the off-season. Double-Michelin-starred Richard Coutanceau’s son Grégory alone has four, and we went to one of them, Les Flots, right on the harbor side. It cost half the price of last year’s meal and was served by pleasantly unassuming staff amid the lively buzz of a room with all the trappings of a posh restaurant, without the mother-hen wait staff telling you how to eat your food. My ris de veau (sweetbreads) main dish was certainly the best I have had in a long time, and the melon jelly that went with Katherine’s melon and lomo starter was memorable, or, as she put it, “very grown-up.”

Back in Paris, William Ledeuil’s more flash than posh new venture, KGB, a step away from the now-Michelin-starred Ze Kitchen Galerie, was a welcome respite from Paris shop staff. Chef-owner Ledeuil is genuinely friendly to his guests, as I noted on my first visit. He was on hand to meet and greet, and even took my lunch partner on a kitchen tour before I got there. This was two days after the official opening, and it was an amazingly smooth operation, possibly because a lot of the staff and the operational model have been transferred from Ze Kitchen Galerie.

It has, unfortunately, the same noise problem as ZKG, which we were shortly to find out as the restaurant quickly filled up. That carp out of the way, we had a very satisfying lunch, once we’d sorted out how the menu works. A half-dozen “zors d’oeuvres” looked like a multi-colored necklace on our table, with everything from couple of spoons of red-beet gazpacho to a ragout of shellfish and a maki of smoked salmon with wasabi (pow!).

Our main courses – spare ribs and potatoes, and adroitly cooked rascasse sébaste (North Atlantic rockfish) – came in the now-inescapable cocottes (small casseroles; these were nice white China ones). They were accompanied by a visually satisfying assortment of spiced, capered and herbed vegetables that were also a delight. We made the remark at this point that Ledeuil seems to have reverted to something more traditionally French, compared with his playful and colorful inventions at ZKG, while retaining his interest in Eastern influences.

My dessert was a deconstructed greengage crumble with an ice-creamy concoction on the side. This, again, was very, very good, and gives the lie to Galen’s quip that, after dessert (often misquoted as "coitus"), all animals are sad. In fact, it lifted the spirits for the excellent coffee and the necessary return to the coalface.

The honestly priced wine list offers some good finds. The reasonable prices may have something to do with the recession (although there was no evidence of any recession here) and the need to tie up as little capital as possible in a wine cellar in a country where people are drinking less and less wine, especially at lunchtime.

All in all, the KGB gave us a very nice time of it, even if the noise levels could be ranked as cruel and unusual punishment.

Richard Hesse

KGB (Kitchen Galerie Bis): 25, rue des Grands Augustins, 75006 Paris. Tel.: 01 46 33 00 85. Métro: Saint Michel or Odéon. Nearest Vélib stations: 10, rue André Mazet; 11 rue Danton. Open Tuesday-Saturday for lunch and dinner. Fixed-price menus: €27 and €34 (lunch), with mineral water and coffee thrown in. www.zekitchen-galerie.fr

More reviews of Paris restaurants.

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