Vivian van Blerk

"Métamorphoses, Cheminées, The Attic Pictures"

Galerie
Beckel Odille Boïcos

February 2-March 10

Galbob.com
Hotels in Paris and other destinations. No booking fees. EasyToBook.com
Practical Paris by
Karen Henrich

Advertising
Fnac_concerts_120.gif

Photo of the Week

Paris-Update-Dog-Loves-Art

Even art-loving dogs had to wrap up during the recent cold snap in Paris. Photo: Eric Tenin of Paris Daily Photo.

 

AddThis Social Bookmark Button

Paris Update Fashion Flash

FRENCH MICHAEL MOORE TAKES ON
NATIONAL FOOD INDUSTRY

Paris-Update-republique-de-la-malbouffe-Marianne

The motto of Le République de la Malbouffe: "Opacity, Obesity, Precarity."

Xavier Denamur, the owner of five small restaurants in Paris, is a man on a crusade. It began with the 2009 decrease in value-added tax from 21.6 percent to 5.5 percent on restaurant meals, which he says favored big chain restaurants without helping the small independents as promised. Going beyond that issue, he blames French government policies and a lack of transparency in the food industry for the increasing industrialization of food preparation and delivery, the degradation of food quality in France, and increasing obesity and public health costs. One of his campaigns calls for legislation that would create a label informing restaurant customers whether the food is prepared from fresh ingredients on-site or is factory-made or frozen.

Denamur has formed an association called La République de la Malbouffe (The Republic of Bad Food) and has just released a documentary film of the same name, directed by Jacques Goldstein. Unfortunately, the film lacks focus and does not get his laudable message across clearly. Shown only in a handful of Paris cinemas, it is also available on DVD (with issue no. 17 of Rue89 magazine, for €5). Denamur continues to hold debates and chase politicians, hoping to get them to listen to his call for transparency. “My goal is to get citizens interested in politics again,” he says, by encouraging them to vote and write to their representatives. Heidi Ellison

 

AddThis Social Bookmark Button

Paris Update Art Notes

ANDREAS SLOMINSKI


Recent works by Andreas Slominski at the Galerie Thaddaeus Ropac in Paris (through February 29). Video by Nikolaï Saoulski. Click here for larger screen.

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

Festival Circulation(s)

> Festival promoting the work of young European photographers, Bagatelle Garden, Bois de Boulogne, Feb. 25-March 25

Leonardo Live

> Filmed tour of the Leonardo da Vinci exhibition at the National Gallery in London, various cinemas, Paris, Feb. 16.

London Calling

> Festival of British films, Forum des Images, Paris, through Feb. 29.

Nouveau Festival

>A "cross-disciplinary" festival at the Centre Pompidou. Free admission. Feb. 22-March 12.

Paris Fine Art

> Art and antique fair, Palais des Congrès, Paris, through Feb. 20.

Robert Altman Film Festival

> Cinémathèque Française, Paris, through March 11.

Salon International de l'Agriculture

> A barnyard in Paris, with the best of the country's livestock and products made from them, Feb. 19-27

Steven Spielberg Film Festival

> The entire œuvre, Cinémathèque Française, Paris, through March 3.

Touts-Petits Cinéma

> Film festival for kids from 18 months to 4 years, Forum des Images, Feb. 18-26.

 

 

Outings

 

Mini-guide to Avignon

AddThis Social Bookmark Button
Pont, Popes and Plays
Tourists admiring the architecture of Avignon.

Avignon, dominated by the imposing 14th-century Gothic fortress of the Palais des Papes and the adjacent golden-statue-topped Notre-Dame des Doms Cathedral next to it, is best known to the world at large for its bridge: The ditty “Sur le Pont d’Avignon,” which will inevitably run through your head the whole time you are there, is still taught to schoolchildren everywhere. But this bijou of a small city (self-contained within its still-standing walls, it is a harmonious symphony in white stone) has many other hidden treasures to offer as you sift through its layers of history.

The 12th-century bridge, Saint Bénezet, rebuilt many times over the centuries, is still there, or at least part of it – the rest crumbled into the Rhône in the 17th century. For a price, visitors can stroll out to its truncated end and peek into its tiny part-Romanesque, part-Gothic chapel. That and a visit to the Palais des Papes, with its marvelous frescoes, are de rigueur for a first-time visitor.

Those who want to see what went on behind the scenes in the palace, built by Pope Benoît XII and his successor Clément VI between 1334 and 1363, can sign up for “Palais Secret,” a visit that includes a guided tour of the palace’s hidden chambers and passageways, ending with a brunch and tasting of Côtes du Rhône wines.

The city merits more than a one-day visit to these two tourist-filled highlights, however. Those who go beyond the central square in front of the palace and the café- and restaurant-filled Place de l’Horloge to explore its narrow, crooked back streets will be rewarded by a surprise around every corner: a Gothic church, a Baroque church, a chapel next to a church, a picturesque bell tower of yet another once-mighty church (Avignon must have more churches per capita than any city outside Italy), a convent, a stately mansion with a courtyard restaurant, a tree-lined canal with a wooden paddle wheel (Rue des Teinturiers), a charming little square with a café terrace, and so on.

In July, the entire city is taken over by the Festival d’Avignon theater festival and its competitor, the Avignon Festival Off, with plays being staged in every nook and cranny, from the courtyard of the Palais des Papes to street corners. Theater lovers with good French should book well in advance for the event; all others would do well to avoid the city during this month.

Those who have a car should drive across the Rhône to visit the cypress-studded Italian garden of the Abbaye Saint-André in Villeneuve-lez-Avignon, which offers spectacular views of the river valley and Avignon.

Museum-hopping
Avignon also has a surprising number of museums, each with something different to offer. The often-ignored Musée du Petit Palais houses Gian Pietro Campana’s rich collection of Italian paintings from the Middle Ages and the Renaissance, including a stunning “Virgin and Child” by Botticelli.

The Musée Calvet, housed in an 18th-century mansion, is currently showing 80 paintings from its collection of Northern Old Masters, including a stunning portrait of a young man attributed to Jacob Van Oost the Elder. The museum’s eclectic collection also includes a number of paintings by 17th-century French painters Nicolas and Pierre Mignard and, among the 20th-century works, a few notable canvases by Chaim Soutine. The Musée Calvet’s archaeological collection is shown in the Musée Lapidaire in a Baroque chapel on the Rue de la République.

Yet another 18th-century town house is home to the Fondation Angladon-Dubrujeaud, where visitors are treated to a few gems of 19th- and 20th-century painting collected by fashion designer Jacques Doucet (1853-1929), including works by Degas, Sisley, Cézanne, Van Gogh, Modigliani and Foujita.

One of the city’s most stunning museums focuses on the present rather than the past. The Collection Lambert, housed in the beautifully restored 18th-century Hôtel de Caumont, presents rotating shows of works from art dealer Yvon Lambert’s splendid collection of contemporary art. To celebrate its 10th anniversary, it is holding a major show of the work of Catalan artist Miquel Barceló. Click here to read about the show.

Heidi Ellison

Abbaye Saint-André: Villeneuve-lez-Avignon. Tel.: 04 90 25 55 95. Garden open 10 a.m.-12:30 p.m. and 2 p.m.-5 p.m. (until 6 p.m. in summer). Closed Mondays.

Avignon Festival Off: July 8-31, 2010. www.avignonleoff.com

Avignon Tourism Office: 41, cours Jean Juarès, 84004 Avignon. Tel.: 04 32 74 32 74. Open April- October, Monday-Saturday, 9 a.m.-6 p.m. (until 7 p.m. in July), Sunday and public holidays, 10 a.m.-5 p.m.; November-March, Monday-Friday, 9 a.m.-6 p.m., Saturday, 9 a.m.-5 p.m., Sunday and public holidays, 10 a.m.-noon. Closed January 1 and December 25. www.ot-avignon.fr

Collection Lambert en Avignon/Musée d’Art Contemporain: 5, rue Violette, 84000 Avignon. Tel.: 04 90 16 56 20. Open September-June, 11 a.m.-6 p.m.; July-August, 11 a.m.-7 p.m. Closed Mondays and between June 5 and July 8. Admission: €5.50. www.collectionlambert.com

Festival d’Avignon: July 7-27, 2010. www.festival-avignon.com/

Musée Angladon Dubrujeaud: 5, rue Laboureur, 84000 Avignon. Tel.: 04 90 82 29 03. Open 1 p.m.-6 p.m. (7 p.m. in summer). Closed Mondays. Admission: €6. www.angladon.com

Musée Calvet: 65, rue Joseph Vernet, 84000 Avignon. Tel.: 04 90 86 33 84. Open 10 a.m.-1 p.m. and 2 p.m.-6 p.m. Closed Tuesdays, January 1, May 1, December 25. Admission: €6. fondation-calvet.org/

Musée du Petit Palais: Palais des Archevêques, Place du Palais des Papes, 84000 Avignon. Tel.: 04 90 86 44 58. Open Wednesday-Monday 10am-1 p.m.; 2pm-6 p.m. Closed Tuesdays, May 1 and December 25. www.petit-palais.org

Musée Lapidaire: 27, rue de la République, 84000 Avignon. Tel.: 04 90 86 33 84. Open 10 a.m.-1 p.m. and 2 p.m.-6 p.m. Closed Tuesdays, January 1, May 1, December 25. Admission: €2. fondation-calvet.org/

Palais des Papes: Place du Palais des Papes, 84000 Avignon. Tel.: 04 90 27 50 00. Open daily March 1-14, 9 a.m.-7 p.m.; March 15-June 30, 9am-7pm; July, 9 a.m.-8 p.m.; August, 9 a.m.-9 p.m.; September 1-15, 9 a.m.-8 p.m.; September 16-November 1, 9am-7pm. Admission: Varies; click here for details. Reservation required for “Palais Secret” visit and brunch. www.palais-des-papes.com

Pont Saint Bénezet: Tel.: 04 90 27 51 16. Open April-June, 9 a.m.-7 p.m.; July, 9 a.m.-9 p.m.; August-September, 9 a.m.-8 p.m.; October, 9 a.m.-7 p.m.; November-March, 9:30 a.m.-5:45 p.m. Admission: €3 (€11.50 includes admission to Palais des Papes). www.palais-des-papes.com

More outings.

© 2006/2010 Paris Update

Reader Reaction

This e-mail address is being protected from spambots. You need JavaScript enabled to view it. to respond to this article (your response may be published on this page and is subject to editing).