Photo of the Week


The upside-down innards of the Conciergerie shown on a tarp on the facade and reflected in the Seine. © Paris Update


Paris Update This Week’s Events

For full details about an event, click on the title to visit the official Web site (in English when available).

Monster contemporary art fair
> FIAC: 189 galleries show their wares in the Grand Palais and Petit Palais, Paris, Oct. 20-23.

Art on the Champs
> Art Élysées: 75 modern and contemporary art and design galleries in tents on the world's most famous boulevard. Champs Elysées, Paris, Oct. 20-24.

Asian art
> Asia Now: 30 contemporary galleries showing work by Asian artists. 9, av. Hoche, Paris, Oct. 20-23.

Art brut
> Another kind of art at the Outsider Art Fair. Hotel du Duc, Paris, Oct. 22–25.

Art in a townhouse
> Paris Internationale: contemporary art fair in a Parisian townhouse. 51, avenue d'Iéna, Paris, Oct. 19-23.

Young international artists
> YIA Art Fair: Youth takes precedence at this art fair. Carreau du Temple, Paris, Oct. 20-23.

Digital art
> Variation: Contemporary digital art fair. Cité Internationale des Arts, Paris, Oct. 18-23.

“Music for old people”
> Le Classique C'est pour les Vieux: The ironically titled music festival holds classical concerts in skateparks, cafés, artists' studios and other unusual venues and incorporates street art, 3D performances and more. Paris, Oct. 20-23.

Film festival for kiddies
> Mon 1er Festival: some 400 screenings, premiers and more for kids aged two and up. Various locations, Paris, Oct. 19-25.


For Brassens fans
> The annual 22V'laGeorges Festival celebrates what would have been the great singer’s 95th birthday this year in his hometown of Sète. Oct. 22-29.

Refugee children speak through art


> From Syria with Love, an exhibition of drawings by Syrian refugee children. Galerie CInq, 5 rue du Cloitre St Merri, 75004 Paris, through Oct. 21.

Classic Danish films
> Festival of movies by Carl Theodor Dreyer. Cinémathèque Française, Paris, through Nov. 6.

Jazz galore
> Paris's leading jazz clubs cooperate for the festival Jazz sur Seine, with special prices for concerts, showcases and master classes. Various locations, Paris, through Oct. 22.

Cultures of the world onstage
> Music, dance, theater and ritual performances from around the world at the Festival de l'Imaginaire. Various locations, Paris, through Dec. 20.

Strange Happenings in St. Germain
> The exhibition Bizarro, with works by a number of artists, fills seven Left Bank galleries with “Bêtes de Scènes et Sacrés Monstres.” Don’t miss the Meta-perceptual Helmets by the Irish duo Cleary/Connolly
at the Librairie Alain Brieux, which allow the viewer to see forward and backward, for example, or the way a cyclops or horse would see. Various locations, Paris, through Oct. 30.

Contemporary arts festival
> The Festival d’Automne presents leading talents in art, dance, film, theater and more from around the world. Various venues, Paris, through Dec. 31.

Amazing gardens
> The popular Festival International des Jardins de Chaumont-sur-Loireis held annually in the park of the Château de Chaumont in Chaumont-sur-Loire, through Nov. 2.

Music & more in park bandstands
> Kiosques en Fête brings life to the bandstands in Paris’s parks with concerts, writing workshops, club meetings and even a square dance. Various locations, Paris, through Dec. 31.


La Tête en Friche

La Tête en Friche

Gisèle Casadesus and Gérard Depardieu make the story of an unlikely friendship totally convincing.

Jean Becker’s new movie, La Tête en Friche (based on Marie-Sabine Roger’s book of the same name), is in so many ways hopelessly outdated. It portrays village life as it was ...

La Tête en Friche

Gisèle Casadesus and Gérard Depardieu make the story of an unlikely friendship totally convincing.

Jean Becker’s new movie, La Tête en Friche (based on Marie-Sabine Roger’s book of the same name), is in so many ways hopelessly outdated. It portrays village life as it was represented on film in the 1930s and 1940s: gentle, undemanding and with the lesser roles of the villagers overacted with eye-rolling and thigh-slapping joviality.

Yet, thanks to the central roles of the village idiot Germain and 95-year-old Margueritte (yes, spelled with two ts), played by Gérard Depardieu and Gisèle Casadesus respectively, La Tête en Friche (My Afternoons with Margueritte) manages a charm and intensity that just manage to avoid most clichés of rural French life. The story revolves around their meeting in a park and the unlikely friendship that ensues, as the semi-literate Germain is read to by the erudite Margueritte before he learns to read to her when her eyesight begins to fail.

Reading books is never easy to dramatize effectively, but Becker displays a sure touch in depicting Germain’s imagination as he listens to the older woman: the rabble of rats he envisages as he listens to Albert Camus’s The Plague is particularly vivid. Flashbacks to Germain’s childhood inform us about the bullying he suffered both at school and at home. All the other actors in supporting roles (not least a ludicrously over-the-top Claire Maurier as Germain’s mother) might usefully have picked up a few tips from the understated dignity with which Florian Yven plays Germain as a child.

Depardieu proves yet again what a versatile and subtle actor he is, making Germain utterly believable, perhaps most poignantly so when he weeps over the dead body of a mother who showed him so little love when she was alive. Although it seems unlikely that Germain would have such a buxom young girlfriend as Annette (played by Sophie Guillemin, an actress who has been scandalously underused since her movie debut in Cedric Kahn’s L’Ennui in 1998), this is the fault of the director. As for Gisèle Casadesus (herself now 96), she brings an energy to the screen that belies her age.

Nick Hammond

Reader Andrew Fildes writes: "Pons is not exactly a village, and I have spent some time in smaller communities in Charente-Maritime over the last 50 years. The semi-rural lifestyle depicted here is not that of the 30's-40's, but very much of the present. I have seen these people in the bars and on the farms and lanes even recently. Perhaps the only jarring note is that I did not hear real Charentais voices – but that may have been too incomprehensible for the audience. It is quite impenetrable.
"Yes, it seems unlikely that the girlfriend would be a Guillemin type, but unlikely alliances do occur. As a teacher of long experience, the performance of Yven as the child did not seem to display 'understated dignity' to me. The word 'bovine' came to mind.
"I think that we forget that there are pockets that time forgets. Yes, the scene shown in this film is not modern, but it does still exist, and we see the intrusion of modern life frequently, such as in the family in the park or the horror of the Flemish nursing home. People still live and behave in this way. And if I want to see eye-rolling and thigh slapping joviality, I may go down now (and I think I will) to my local bar in a similar community here in Australia and see very similar people behave in a similar way. The chef is a mad Lithuanian, the waitress a university student, and there will be the usual crowd of accountants, artists and artisans carrying on in much the same way.
"These places exist - seek them out.
"The film has enormous charm and does seek to connect with something lost – simple goodwill perhaps."

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