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Photo of the Week

Paris Update Centre Pompidou Darren Palmer

Another view of the Centre Pompidou. Photo © Darren Palmer of Paris by Photo.

 

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Paris Update What's New in Paris

RESTAURANT/CLUB/CAFE
Wanderlust:
Finally, part of Les Docks, Cité de la Mode et Design will open to the public on June 6. Brunch on the terrace, take a yoga class, take in a concert or dance all night. 34, quai d'Austerlitz, 75013 Paris.

SHOPS
Stella Cadente:
The designer of very feminine clothing and accessories has a new Paris store that's like a gold-lined tunnel. 102 boulevard Beaumarchais, 75011 Paris.

Ecolo-Chic: Pop-up store in the Marais selling ethically resourced products, from toys and design to organic wine. 90, rue des Archives, 75003 Paris.

SMOKING
A new organization, L'Union pour les Droits des Fumeurs Adultes, has been formed to lobby for the rights of French smokers

JUSTIN ON THE ROOFTOPS
Keep your eyes peeled: Justin Bieber will be filming for the Web TV program live@home in an undisclosed location on the rooftops of Paris on the evening of May 31. Click here to win a pass to the taping.

 

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Paris Update Flash News

CAKE THE WAY WE LIKE IT

Paris Update Merce and the Muse

Goodies on display at Merce and the Muse.

Nowadays, American expatriates in Paris can easily satisfy almost all their nostalgic food cravings, from hamburgers to Reese’s peanut-butter cups or Oreo cookies. Until Merce and the Muse opened in the Upper Marais, however, it wasn’t easy to find good homemade, American-style cakes. The desserts at this homey, flea-market-furnished café are not just good, they are scrumptious and original, made from owner Merce Muse’s own recipes. The other day I shared a slice of chocolate layer cake with vanilla icing and another of pistachio cake with rose icing with a friend, but in truth I wanted to eat all of both of them. 1 bis, rue Dupuis, 75003 Paris. Tel.: 09 53 14 53 04. Open Tues.-Sun. for breakfast, lunch and coffee; brunch on Sunday. Heidi Ellison

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

play Art Saint-Germain-des-Prés

>Left Bank gallery walk. Collective opening, May 31, 6pm. May 31-June 3.

play Carré Rive Gauche

>Another Left Bank gallery walk, with 120 participating galleries. June 1-June 3.

play Champs-Elysées Film Festival

>A new Franco-American film festival, presided over by Lambert Wilson and Michael Madsen. Various locations, Paris, June 6-12.

play Chartre en Lumières

> The town of Chartres illuminates its monuments and the cathedral with colorful light installations. Through Sept. 15.

play Designer's Days

>Design shops, galleries, schools and more participate in a city-wide design event. Various locations, Paris, May 31-June 4.

play Festival de l'Imaginaire

> Performances by troupes from around the world, Maison des Cultures du Monde, Paris, through June 17.

play Festival de Saint Denis

> Music festival featuring both stars like Sir Colin Davis and young talents; ends with a dawn performance by horse whisperer Bartabas and oud player Mehdi Haddab, Cathedral and Legion of Honor, Saint Denis, through June 30.

play Festival Extensions

> Concerts, dance, films and more, various locations, Paris and Val de Marne, through May 31.

play Festival International des Jardins de Chaumont-sur-Loire

>"Gardens of delights, gardens of delirium" is the theme of this year's garden festival, Chaumont-sur-Loire, through Oct. 21.

play Festival Jazz à Saint-Germain-des-Prés

>Jazz acts ranging from amateur to big names like Ahmad Jamal and Yusef Lateef (together). Various locations, Paris, Through June 3.

play Le Court en Dit Long

>Festival of short films. Centre Wallonie-Bruxelles, Paris, June 4-9.

play Nomades

>Cultural festival in the third arrondissement; art, poetry, concerts and more. Various locations, Paris, May 31-June 3.

play Quinzaine des Réalisateurs

>The features and short subjects entered in this category at the Cannes Film Festival shown in Paris, Forum des Images, Paris, May 31-June 10

play Salon du Vin de La Revue du Vin de France

>Annual wine fair. Palais Brongniart, Paris, June 2-3

 

Drab as Olive: The Plodding Pageantry of the Bastille Day Parade

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bastille-day-parade-paris-flyover-light

This was the first thing in the parade − and the last thing of interest.

 

I’d like to begin this report with two recommendations. First, if you would like to have the disconcertingly novel experience of seeing a whole lot of French policeman in a good mood, smiling and wishing everyone a nice day, go the Champs Elysées on the morning of July 14th to watch the Bastille Day parade. Secondly, if you would like to watch the Bastille Day parade, don’t go to the Champs Elysées on the morning of July 14th.

Traditionally a showcase for the French military, the procession proceeds from the Arc de Triomphe to the Place de la Concorde, where the president sits on a dais, surrounded by illustrious dignitaries and even more illustrious fashion models, and reviews the troops. Anyone can request and reserve a seat in the temporary grandstands set up at the bottom of the Champs near Concorde, but the thousands of spectators who fail to do this, whether through ignorance or sloth (or in my case both), have to make do with standing room, crowding as best they can around the upper part of the avenue.

The parade is scheduled for 10:00 am. Figuring that, like everything else in France – with the sole exception of retirement – it would start late, I arrived at about 10:15 and took up a position near Franklin D. Roosevelt Métro, where I could see assembled groups of uniformed soldiers in formation, ready and rarin’ to go.

Well, actually, ready to go. Well, actually, almost ready to go. They weren’t so much in formation as just milling around:

 

bastille-day-parade-paris-milling-around

French soldiers demonstrating the crisp discipline that makes the parade such a magnificent spectacle.


Paraders and parade-watchers alike stood there staring at each other for another 20 minutes or so, until finally a tight V formation of fighter jets streaked through the sky right over our heads, spewing out a nebulous elongated French flag of blue, white and red vapor trails. The excitement was palpable. The parade was starting!

Except that it wasn’t! The soldiers came to attention, and some march music began playing (on loudspeakers, which seemed pretty lame to me — what’s a parade without a live brass band?), but there was still no forward motion. At last, at about 10:45, a full 45 minutes after the announced “starting time,” the regiment (or battalion or brigade or platoon or whatever) in front of me started marking time in place. Then the commanding officer (or drill sergeant or drum major or dungeon master or whatever) in front of them gave the signal, and they strode smartly off in perfect unison and marched proudly and briskly down the street. For about three steps. And then stopped.

Another five minutes went by, and they moved a little more. And stopped. And then a little more. And stopped. At one point they actually marched for one single step before stopping again. Some semblance of advancement did finally materialize, but it was never constant. Various corps passed by, making jerky, halting progress. Then, after about half an hour, there was a lull of a full 20 minutes during which the tank division that happened to be in front of me at that point just sat there burning fuel, daylight and epidermal tissue.

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It was not so much like watching a military review as watching the Friday evening traffic jam on Boulevard Haussmann. And when I say “watching” I mean, of course, craning my neck to see what little I could see over the heads of the other onlookers. Naturally, it was very crowded, but I could see some of the parade some of the time like this:

 

bastille-day-parade-paris-parade-view

This anti-aircraft truck was stopped there for a good five minutes, during which the guy at the gunsights didn’t move a muscle. I started to wonder if he was a life-sized G.I. Joe doll.

 

But most of the time most of what I could see was this:

 

bastille-day-parade-paris-big-camera-in-front

The best spot I could find was standing behind this tourist. He took exactly 87 photos and has exactly 1,613 gray hairs.


Because it’s purely military, the Bastille Day extravaganza is not at all like what Americans usually imagine when they think of the word “parade.” There are no giant inflated cartoon characters, no Shriners, no Miss Popular Uprising waving from the back seat of a convertible and not even any marching bands — there was one standing band down by Concorde, but we couldn’t hear it up on the Champs. The parade is just a lot of soldiers marching or riding in combat vehicles.

There were regiments dressed in every color, from black to blue to red to pure white, including a squadron of paratroopers with dark green foundation, I mean camouflage paint, on their complexions, I mean faces:

 

bastille-day-parade-paris-green-faces

If I had to join these guys jumping out of a plane into a combat zone, my face would be green too. And I would save the state the expense of the paint.

 

There were tanks. There was even a phalanx of motorcycle cops (the gendarmes, France’s equivalent of the Highway Patrol, are in fact a military organization), who, in my opinion, should have been handing out tickets for obstructing traffic. And there were trucks: armored trucks, artillery trucks, water cannon trucks, fire trucks and trucks that looked like just plain old trucks:

 

bastille-day-parade-paris-just-trucks

I’m not sure what these moving vans were doing in the parade. Maybe they were hauling the paratroopers’ makeup kits.

 

And there were a couple of vehicles that looked like the progeny of an ill-advised one night stand between a tank and a jeep — kind of like an SUV with a manhole cover on top. From each manhole there emerged a man, standing stiffly at attention and holding a flag. However formidable a force they may be on the battlefield, in this context they looked kind of silly:

 

bastille-day-parade-paris-fighting-whack-a-moles

I’m sure these guys are tough, seasoned warriors capable of handling life-and-death situations that would make me lose excretory control, but poking out of their turrets, they looked like the 144th Fighting Whac-A-Moles.

 

 

The show was so slow and sluggish, when it was over most of the spectators on the Champs didn’t seem to register the fact — they just stood there for another 25 minutes gawking at the empty avenue. Which by that point seemed almost as interesting as the trucks. I spent those 25 minutes squeezing through the crowd and looking for an un-cordoned-off side street so I could get out of there, during which time I spotted this gentleman:

 

bastille-day-parade-paris-guy-on-roof

Was he a policeman monitoring the crowd? Or a spectator contemplating suicide to escape the tedium?

 

Later I realized what was causing the bottleneck: most of the squads did some kind of drill routine for the talent portion of the pageant in front of the review stand down at Concorde, which meant that everybody behind them had to halt for the duration. In other words, hoping to get a good view of the parade from Franklin D. Roosevelt is like hoping to get a good view of a pole dance from the parking lot. At least, I sincerely hope that’s the explanation. I’d hate to think that it was just poor organization. It’s the military, for Sarko’s sake! If they can’t get their own people to move in a timely manner down an eight-lane road with no traffic, think how long it would take them, for example, to force a despised North African despot out of power. If such a situation were ever to arise…

David Jaggard

Reader Drake Mabry writes: "Howled with laughter. As usual, David Jaggard's articles make a profound statement and are outrageously funny. Seeing the guy on the roof made me grateful that David didn't make any fast, sudden movements getting through the crowd."

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