Photo of the Week


The upside-down innards of the Conciergerie shown on a tarp on the facade and reflected in the Seine. © Paris Update


Paris Update This Week’s Events

For full details about an event, click on the title to visit the official Web site (in English when available).

Monster contemporary art fair
> FIAC: 189 galleries show their wares in the Grand Palais and Petit Palais, Paris, Oct. 20-23.

Art on the Champs
> Art Élysées: 75 modern and contemporary art and design galleries in tents on the world's most famous boulevard. Champs Elysées, Paris, Oct. 20-24.

Asian art
> Asia Now: 30 contemporary galleries showing work by Asian artists. 9, av. Hoche, Paris, Oct. 20-23.

Art brut
> Another kind of art at the Outsider Art Fair. Hotel du Duc, Paris, Oct. 22–25.

Art in a townhouse
> Paris Internationale: contemporary art fair in a Parisian townhouse. 51, avenue d'Iéna, Paris, Oct. 19-23.

Young international artists
> YIA Art Fair: Youth takes precedence at this art fair. Carreau du Temple, Paris, Oct. 20-23.

Digital art
> Variation: Contemporary digital art fair. Cité Internationale des Arts, Paris, Oct. 18-23.

“Music for old people”
> Le Classique C'est pour les Vieux: The ironically titled music festival holds classical concerts in skateparks, cafés, artists' studios and other unusual venues and incorporates street art, 3D performances and more. Paris, Oct. 20-23.

Film festival for kiddies
> Mon 1er Festival: some 400 screenings, premiers and more for kids aged two and up. Various locations, Paris, Oct. 19-25.


For Brassens fans
> The annual 22V'laGeorges Festival celebrates what would have been the great singer’s 95th birthday this year in his hometown of Sète. Oct. 22-29.

Refugee children speak through art


> From Syria with Love, an exhibition of drawings by Syrian refugee children. Galerie CInq, 5 rue du Cloitre St Merri, 75004 Paris, through Oct. 21.

Classic Danish films
> Festival of movies by Carl Theodor Dreyer. Cinémathèque Française, Paris, through Nov. 6.

Jazz galore
> Paris's leading jazz clubs cooperate for the festival Jazz sur Seine, with special prices for concerts, showcases and master classes. Various locations, Paris, through Oct. 22.

Cultures of the world onstage
> Music, dance, theater and ritual performances from around the world at the Festival de l'Imaginaire. Various locations, Paris, through Dec. 20.

Strange Happenings in St. Germain
> The exhibition Bizarro, with works by a number of artists, fills seven Left Bank galleries with “Bêtes de Scènes et Sacrés Monstres.” Don’t miss the Meta-perceptual Helmets by the Irish duo Cleary/Connolly
at the Librairie Alain Brieux, which allow the viewer to see forward and backward, for example, or the way a cyclops or horse would see. Various locations, Paris, through Oct. 30.

Contemporary arts festival
> The Festival d’Automne presents leading talents in art, dance, film, theater and more from around the world. Various venues, Paris, through Dec. 31.

Amazing gardens
> The popular Festival International des Jardins de Chaumont-sur-Loireis held annually in the park of the Château de Chaumont in Chaumont-sur-Loire, through Nov. 2.

Music & more in park bandstands
> Kiosques en Fête brings life to the bandstands in Paris’s parks with concerts, writing workshops, club meetings and even a square dance. Various locations, Paris, through Dec. 31.


Film - Documentary


Nous, Princesses de Clèves


Teenagers from a rough neighborhood find parallels with their lives in a 17th-century novel.

The other day I walked into one of the many chic gift shops that pepper the Marais district of Paris and found myself drawn to a pack of old books, only to ...


Teenagers from a rough neighborhood find parallels with their lives in a 17th-century novel.

The other day I walked into one of the many chic gift shops in the Marais district of Paris and found myself drawn to a pack of old books, only to discover that they had been tied together so tightly that they were clearly intended never to be read and were on sale solely as a fashion statement for the home. Although I know that books have long served as a decorative feature in people’s homes, at least they used to offer the illusion that their owners intended to read them at some point! Is France, that great defender of the intellectual, at a crisis point? After all, the country’s current president famously sneered that Madame de La Fayette’s 1678 novel La Princesse de Clèves was not worth studying.

Régis Sauder’s new documentary, Nous, Princesses de Clèves, is a direct response to Nicolas Sarkozy’s derision, as the film follows the pupils of a high school in one of the most deprived neighborhoods of Marseilles as they act out scenes from and respond to the novel by drawing parallels with their own lives. Sauder is cashing in on the success of movies from recent years, such as Etre et Avoir and Entre les Murs (The Class), which vividly show the teaching process at work, and L’Esquive (Games of Love and Chance), which featured teenagers from deprived areas acting scenes from a play by the dramatist Marivaux. As in the documentary Etre et Avoir, the students’ parents are interviewed, and one of the students even bears an astonishing resemblance to one of the lead actresses in Entre les Murs.

Yet, as engaging as parts of this film may be, Nous, Princesses de Clèves does not have the narrative drive or charm of the previous movies. Even though some of the comparisons to the 17th-century text reveal interesting insights – not least the interpretation of the princess’s mother, Mme de Chartres, by some of the pupils being brought up in strict Muslim households – we never get to see enough of the pupils’ lives to make us really care about them. Some of the female students speak vaguely about their own relationships, but the director does not follow up by interviewing their boyfriends. Another missed opportunity: one of the teachers seems to have real charisma and intelligence, but she only appears very briefly at the beginning and during a school trip to Paris, when they visit the Bibliothèque Nationale and are shown copies of the first editions of the novel by Jean-Marc Châtelain, one of the library’s curators.

A good knowledge of La Princesse de Clèves is probably needed to appreciate this film; I have taught the text for years and enjoyed the acted extracts from the novel, but my companion, who had not read the book, found them dull. (The students, by the way, are surprisingly fine actors).

All in all, this movie is a worthy but flawed attempt to prove to Sarkozy that reading old books can still be relevant today. In the meantime, I urge you not to buy packs of books being sold purely as designer chic in the Marais unless you intend to read them!

Nick Hammond

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Vincent Rottiers