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Photo of the Week

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Even art-loving dogs had to wrap up during the recent cold snap in Paris. Photo: Eric Tenin of Paris Daily Photo.

 

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Paris Update Fashion Flash

FRENCH MICHAEL MOORE TAKES ON
NATIONAL FOOD INDUSTRY

Paris-Update-republique-de-la-malbouffe-Marianne

The motto of Le République de la Malbouffe: "Opacity, Obesity, Precarity."

Xavier Denamur, the owner of five small restaurants in Paris, is a man on a crusade. It began with the 2009 decrease in value-added tax from 21.6 percent to 5.5 percent on restaurant meals, which he says favored big chain restaurants without helping the small independents as promised. Going beyond that issue, he blames French government policies and a lack of transparency in the food industry for the increasing industrialization of food preparation and delivery, the degradation of food quality in France, and increasing obesity and public health costs. One of his campaigns calls for legislation that would create a label informing restaurant customers whether the food is prepared from fresh ingredients on-site or is factory-made or frozen.

Denamur has formed an association called La République de la Malbouffe (The Republic of Bad Food) and has just released a documentary film of the same name, directed by Jacques Goldstein. Unfortunately, the film lacks focus and does not get his laudable message across clearly. Shown only in a handful of Paris cinemas, it is also available on DVD (with issue no. 17 of Rue89 magazine, for €5). Denamur continues to hold debates and chase politicians, hoping to get them to listen to his call for transparency. “My goal is to get citizens interested in politics again,” he says, by encouraging them to vote and write to their representatives. Heidi Ellison

 

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Paris Update Art Notes

ANDREAS SLOMINSKI


Recent works by Andreas Slominski at the Galerie Thaddaeus Ropac in Paris (through February 29). Video by Nikolaï Saoulski. Click here for larger screen.

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

Festival Circulation(s)

> Festival promoting the work of young European photographers, Bagatelle Garden, Bois de Boulogne, Feb. 25-March 25

Leonardo Live

> Filmed tour of the Leonardo da Vinci exhibition at the National Gallery in London, various cinemas, Paris, Feb. 16.

London Calling

> Festival of British films, Forum des Images, Paris, through Feb. 29.

Nouveau Festival

>A "cross-disciplinary" festival at the Centre Pompidou. Free admission. Feb. 22-March 12.

Paris Fine Art

> Art and antique fair, Palais des Congrès, Paris, through Feb. 20.

Robert Altman Film Festival

> Cinémathèque Française, Paris, through March 11.

Salon International de l'Agriculture

> A barnyard in Paris, with the best of the country's livestock and products made from them, Feb. 19-27

Steven Spielberg Film Festival

> The entire œuvre, Cinémathèque Française, Paris, through March 3.

Touts-Petits Cinéma

> Film festival for kids from 18 months to 4 years, Forum des Images, Feb. 18-26.

 

 

Film

 

Et Toi, Tu Es sur Qui?

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Teenagers in Love

et toi, tu es sur qui?
Elodie (Lucie Desclozeaux) and Vincent (Gaël Tavares) are best friends and maybe more.

Et Toi, Tu Es sur Qui? is the simplest of films – the story of the awakening of love and sexual desire in a small group of teenage classmates – but it is told with such gentle humor and authenticity that it quickly wins the heart.

Written and directed by Lola Doillon, the 32-year-old daughter of director Jacques Doillon, the film concentrates on four characters, all of them well-rounded and well-acted, and a few accessory characters to drive the plot forward.

Elodie (Lucie Desclozeaux) and her friend Julie (Christa Theret), a Goth in the requisite black get-ups and heavy eye makeup, decide that they will have their first sexual experience in the week before they leave school for the summer holidays. Elodie fancies herself in love with the cool Kevin (Vincent Romeuf) and wants him to be her first lover. Whether that will happen and how long it will take is the subject of a hotly discussed bet among her pals, including her best friend, the sweet Vincent (Gaël Tavares).

The film tracks their misguided couplings and uncouplings, but the plot isn’t really all that important. The world of these 15-year-olds is portrayed from the inside – the only adults we see are a few annoying teachers – and it feels very true, with their awkward bravado and proficient use of cellphones, text-messaging and online chats. Parents will cringe at their obsession with and knowledge of sex, and their willingness to jump right in under social pressure, even though they are all secretly terrified and don’t much enjoy it when it does happen.

In a nice touch, our heroes are forced by their school to get a little practical work experience learning the arts of fish and meat butchery (professions they are manifestly uninterested in), providing an usual backdrop for their interactions.

Most of these talented young actors are appearing onscreen for the first time, and one of them, Nicolas Schweri, was even discovered in the Métro. This is Doillon’s first feature film, and it gives us hope for more films from her about real people, told with true sensibility and a sense of humor.

At the end of the film, Elodie wears a T-shirt with the song title “Why Must I Be a Teenager in Love?” written on it. The movie explores that theme with great charm.

Heidi Ellison

© 2007 Paris Update

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