Photo of the Week

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Bicycles in a Parisian courtyard. © Paris Update

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Paris Update What’s On

Links to events happening this week in Paris.

Stick up for science
> The Paris March for Science begins at 1pm at the Jardin des Plantes (Place Valhubert), April 22.

Silent films from Switzerland?
> They’re rare, but they do exist and can be seen at the Fondation Jérôme Seydoux-Pathé, Paris, April 20-May 2.

Voices from the North
> The Pølar Festival celebrates Northern European culture with films, concerts, talks and more. Various locations, Paris, April 19-29.

Photo walk
> Eight Paris galleries hold special photography shows and events for Parcours Fotofever. Various locations, Paris, through May 1.

Photo shows galore
> Le Mois de la Photo has been moved from autumn to spring, with 96 exhibitions taking place all over the greater Paris area. See Web site for locations and dates.

Art videos
> The theme of this year’s Videobox Festival is “noise and movement.” Carreau du Temple, Paris, April 27-29.

Take home a winemaker
> Winemakers from Castillon Côtes de Bordeaux come to Paris to offer tastings of their products in wine bars and private homes for the event J’Irai Déguster chez Vous. Various venues, Paris, April 20-22.

French film with English subtitles
> Lost in Frenchlation shows Nicolas Bedos’s Monsieur & Madame Adelman preceded by a themed cocktail party (€4.50). Studio 28, Paris, April 21.

Polaroid pix
> The “Expolaroid” exhibition features Polaroid images by nine artists. La Maison des Ensembles, Paris, through April 25.

Binge-watching
> Festival Séries Mania shows TV series from around the world and holds debates, conferences and special guests like Julianna Margulies of “The Good Wife,” all for free. Forum des Images, Paris, through April 23.

Travel yarns
> Travel fanatics get together at the Paris Travelers Festival to swap tales of their adventures. FIAP, Paris, April 22-23.

Street art indoors

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The gallery Art in the Game will be showing works by Felipe Pantone at the Urban Art Fair.> Some 30 galleries show street art at the Urban Art Fair. Carreau du Temple, Paris, April 20-23.

Virtual reality
> Drop in on Saturday or Sunday from 2pm to 8pm for a free virtual trip at the VR Express festival. Forum des Images, Paris, through June 30.

Dance in historic sites
> Monuments en Mouvement offers free dance performances in national monuments like the Pantheon in Paris, the Abbaye de Cluny and châteaux. Various locations, through Oct. 21.

African culture festival
> The 100% Afriques festival showcases dance, theater, music, fashion, design, art, food and more from all over the continent. La Villette, Paris, through May 28.

Before and after ecological disaster
> The Chic Planète festival presents two types of films, those celebrating the bounty of the earth and science-fiction views of what will happen after an ecopalypse. Forum des Images, Paris, through April 13.

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Art - Temporary Exhibitions

 

Eli Lotar & Peter Campus

New Angles on
Photography

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“Untitled” (1931). © Eli Lotar

French photographer Eli Lotar (1905-69), the subject of one of the current exhibitions at the Jeu de Paume in Paris, seems to have been rather forgotten until now compared with such contemporaries as André Kertész, Henri Cartier-Bresson and Robert Doisneau, perhaps because his body of work does not communicate as strong a personal viewpoint as those pillars of 20th-century French photography. This retrospective, however, is well worth seeing for its many brilliant moments.

Lotar, the son of Romanian poet Tudor Arghezi and teacher Constanța Zissu, was born in Paris but grew up in Bucharest. As a young man, he returned to Paris, where he met photographer Germaine Krull and learned his craft from her, even using her camera at first.

His photos eventually appeared in a variety of revues, including Georges Bataille’s Documents, which published his “Abattoirs de la Villette” series. His image of rows of detached bovine forelegs leaning against a stone wall perfectly fits the description of his

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“Aux Abattoirs de la Villette” (1929). © Eli Lotar

work by one of the curators, Damarice Amao, as “poetic, chilling naturalism.”

Lotar ran with the avant-garde crowd in his youth, working with Luis Buñuel on the documentary Terre sans Pain (1933), making appropriately absurdist collages to promote Antonin Artaud’s Théâtre Alfred Jarry, and, late in his life, hanging out with his friend Alberto Giacometti, whom he photographed in his studio and for whom he often served as a model.

In the early days, Lotar strove to find new angles for all his shots. Some of the standouts for me were the circus acts seen through their shadows rather than the subjects themselves, the bold graphics of an image of a locomotive,

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“Locomotive” (c. 1929). © Eli Lotar

and a bird’s-eye view of an intersection in Paris with a few isolated individuals stranded on the empty expanse of a traffic island circled by cars.

It is fun to see how his original photos were adapted for publication in magazines, although we are not informed whether these decisions were made by Lotar himself or the publication’s editors. A wonderful image of a man in hat and overcoat taking a step as he crosses the street, his oversized, elongated shadow stretching into the foreground of the photo, was turned upside down and cropped for publication on the April 15, 1929, cover of Jazz, so that the distorted shadow becomes the main subject.

There are also some effective shots with a surrealistic touch, among them a pair of child’s legs from a broken mannequin standing alone

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“Punition” (1929). © Eli Lotar

on loose cobblestones, collages that superimpose Paris monuments on street scenes or rooftops, and a hand holding a sea urchin.

Pictures from the photographer’s travels in Spain and Greece and his portraits of personalities of the time are also on show. The

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Bust of Eli Lotar by Alberto Giacometti (1965). © Eli Lotar

exhibition ends with his photos of Giacometti and a Giacometti bust of him.

In a completely different register, “Peter Campus: Video Ergo Sum,” a show in the Jeu de Paume’s upstairs galleries, features the work of the American photographer born in 1937 and still working today. Like Lotar, Campus had a Romanian father, but the resemblance seems to end there.

His early video installations from the 1970s are great fun for visitors to the show, who are themselves the subjects of the work, with their

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moving images split into multiples or transformed into ghostly figures. On the day I was there, a group of three women couldn’t stop dancing in front of one of them to see how their moves would be interpreted, while another woman managed to have one image of herself kiss another one on the lips.

After Campus stopped making these installations, he turned to dark photographic or video portraits of individuals, then to scenes from nature like the pixelated video of a breaking wave included in the exhibition. Today, he is focusing on real world scenes in

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“Convergence d’Images vers le Port” (2016). © Peter Campus 2017

multiscreen video installations like the final work in the exhibition, “Convergence d’Images vers le Port,” created especially for this show.

Heidi Ellison

Galerie Nationale du Jeu de de Paume: 1, place de la Concorde, 75008 Paris. Métro: Concorde. Tel.: 01 47 03 12 50. Open Wednesday-Sunday, 11am-7pm, Tuesday until 9pm. Closed Monday. Admission €10. Through May 28, 2015. www.jeudepaume.org

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More reviews of Paris art shows.

© 2017 Paris Update