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Photo of the Week

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Even art-loving dogs had to wrap up during the recent cold snap in Paris. Photo: Eric Tenin of Paris Daily Photo.

 

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Paris Update Fashion Flash

FRENCH MICHAEL MOORE TAKES ON
NATIONAL FOOD INDUSTRY

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The motto of Le République de la Malbouffe: "Opacity, Obesity, Precarity."

Xavier Denamur, the owner of five small restaurants in Paris, is a man on a crusade. It began with the 2009 decrease in value-added tax from 21.6 percent to 5.5 percent on restaurant meals, which he says favored big chain restaurants without helping the small independents as promised. Going beyond that issue, he blames French government policies and a lack of transparency in the food industry for the increasing industrialization of food preparation and delivery, the degradation of food quality in France, and increasing obesity and public health costs. One of his campaigns calls for legislation that would create a label informing restaurant customers whether the food is prepared from fresh ingredients on-site or is factory-made or frozen.

Denamur has formed an association called La République de la Malbouffe (The Republic of Bad Food) and has just released a documentary film of the same name, directed by Jacques Goldstein. Unfortunately, the film lacks focus and does not get his laudable message across clearly. Shown only in a handful of Paris cinemas, it is also available on DVD (with issue no. 17 of Rue89 magazine, for €5). Denamur continues to hold debates and chase politicians, hoping to get them to listen to his call for transparency. “My goal is to get citizens interested in politics again,” he says, by encouraging them to vote and write to their representatives. Heidi Ellison

 

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Paris Update Art Notes

ANDREAS SLOMINSKI


Recent works by Andreas Slominski at the Galerie Thaddaeus Ropac in Paris (through February 29). Video by Nikolaï Saoulski. Click here for larger screen.

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

Festival Circulation(s)

> Festival promoting the work of young European photographers, Bagatelle Garden, Bois de Boulogne, Feb. 25-March 25

Leonardo Live

> Filmed tour of the Leonardo da Vinci exhibition at the National Gallery in London, various cinemas, Paris, Feb. 16.

London Calling

> Festival of British films, Forum des Images, Paris, through Feb. 29.

Nouveau Festival

>A "cross-disciplinary" festival at the Centre Pompidou. Free admission. Feb. 22-March 12.

Paris Fine Art

> Art and antique fair, Palais des Congrès, Paris, through Feb. 20.

Robert Altman Film Festival

> Cinémathèque Française, Paris, through March 11.

Salon International de l'Agriculture

> A barnyard in Paris, with the best of the country's livestock and products made from them, Feb. 19-27

Steven Spielberg Film Festival

> The entire œuvre, Cinémathèque Française, Paris, through March 3.

Touts-Petits Cinéma

> Film festival for kids from 18 months to 4 years, Forum des Images, Feb. 18-26.

 

 

Art - Museums

 

Cité de l'Architecture et du Patrimoine 2

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Monumental Success

The Galerie Davioud, with casts of sculptures from the Cathedral of Strasbourg (13th century), the Cathedral of Saint-Étienne de Bourges (late 13th century), and the Cathedral of Reims. © Cité de l'Architecture et du Patrimoine/Carole Lenfant
The Galerie Davioud, with casts of sculptures from the Cathedral of Strasbourg (13th century), the Cathedral of Saint-Étienne de Bourges (late 13th century), and the Cathedral of Reims. © Cité de l'Architecture et du Patrimoine/Carole Lenfant

Just outside the tall windows of the splendid new Cité de l’Architecture et du Patrimoine stands one of France’s most famous monuments, the Eiffel Tower, while inside visitors inspect detailed casts and scale models of many of the country’s other – some of them less well-known – monuments.


With the reopening of the Musée des Monuments Français, a quirky institution exhibiting casts, copies and scale models of France’s architectural gems, the Cité de l’Architecture et du Patrimoine, which takes up one wing of the Palais de Chaillot at Trocadéro, is now complete. The section housing the Institut Français de l’Architecture, with its intelligently curated exhibitions on contemporary architecture, opened last March, and the Cité is also home to the Ecole de Chaillot restoration school.

What, you might ask, is the interest of looking at copies of architectural elements, sculpture, frescoes and stained glass from French churches and châteaux in a Paris museum? Plenty. First, many of the original structures have been destroyed, damaged or restored since the copies were made in the late 19th and early 20th centuries. Second, it is much easier to closely study the intricate details of the works of art copied from French churches and cathedrals – with their marvelous depictions of saints and sinners, demons and angels, animals and mythical creatures – in the museum than at the actual monuments, where most are located at neck-craning heights. You can admire, for example, the brilliant composition of piled-up bodies on a trumeau from Souillac, for example, or the nasty grins on the faces of the “Vierges Folles” (Mad Virgins) from the Cathedral of Strasbourg. Third, seeing the copies of these masterpieces will certainly inspire people to visit the real thing and enhance the experience when they do.

These massive pieces are magnificently displayed in the vast, light-filled, high-ceiled spaces of the newly renovated wing of the Palais Chaillot. Room after room is filled with tympanums, portals, columns, individual sculptures and scale models. Many return visits are required to do justice to these pieces, which are given context and background information through photos, maps and short descriptions (translated into English and Spanish), as well as informative and interesting interactive videos (showing, for example, what a statue might have looked like when painted in its original gaudy colors). For those who want to delve deeper, the Cité’s archives (by appointment only) and library are open to the public.

Another gallery presents a broad overview of modern and contemporary architecture through visitor-friendly models and even a reconstruction of a real apartment designed by Le Corbusier for the Cité Radieuse in Marseille in 1952, with its built-in furniture and cupboards, which visitors are free to wander through.

Bravo to the people behind this highly successful venture in making architecture, both old and new, accessible and interesting to the public.

Reader Paul Twohig writes: "Thanks for the update. We’ve been waiting for years for this museum to reopen, and earlier updates from other sources were confusing. For one thing, we got the idea the museum would be relocated. You effectively made the case for why people would want to see casts of architectural sections and other reproductions. This will be a priority on our next trip."

Heidi Ellison

Cité de l’Architecture et du Patrimoine: Palais de Chaillot, 1, place du Trocadéro et du 11 Novembre, 75016 Paris. Métro: Trocadéro. Tel.: 01 58 51 52 00. Open Monday, Wednesday and Friday, 11 a.m.-7 p.m.; Thursday, 11 a.m.-9 p.m.; Saturday-Sunday, 11 a.m.-7 p.m. Closed Tuesday. Closed Tuesday and January 1. Admission: €7 for permanent exhibitions. www.citechaillot.fr

© 2007 Paris Update


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