Vivian van Blerk

"Métamorphoses, Cheminées, The Attic Pictures"

Galerie
Beckel Odille Boïcos

February 2-March 10

Galbob.com
Hotels in Paris and other destinations. No booking fees. EasyToBook.com
Practical Paris by
Karen Henrich

Advertising
Fnac_concerts_120.gif

Photo of the Week

Paris-Update-Dog-Loves-Art

Even art-loving dogs had to wrap up during the recent cold snap in Paris. Photo: Eric Tenin of Paris Daily Photo.

 

AddThis Social Bookmark Button

Paris Update Fashion Flash

FRENCH MICHAEL MOORE TAKES ON
NATIONAL FOOD INDUSTRY

Paris-Update-republique-de-la-malbouffe-Marianne

The motto of Le République de la Malbouffe: "Opacity, Obesity, Precarity."

Xavier Denamur, the owner of five small restaurants in Paris, is a man on a crusade. It began with the 2009 decrease in value-added tax from 21.6 percent to 5.5 percent on restaurant meals, which he says favored big chain restaurants without helping the small independents as promised. Going beyond that issue, he blames French government policies and a lack of transparency in the food industry for the increasing industrialization of food preparation and delivery, the degradation of food quality in France, and increasing obesity and public health costs. One of his campaigns calls for legislation that would create a label informing restaurant customers whether the food is prepared from fresh ingredients on-site or is factory-made or frozen.

Denamur has formed an association called La République de la Malbouffe (The Republic of Bad Food) and has just released a documentary film of the same name, directed by Jacques Goldstein. Unfortunately, the film lacks focus and does not get his laudable message across clearly. Shown only in a handful of Paris cinemas, it is also available on DVD (with issue no. 17 of Rue89 magazine, for €5). Denamur continues to hold debates and chase politicians, hoping to get them to listen to his call for transparency. “My goal is to get citizens interested in politics again,” he says, by encouraging them to vote and write to their representatives. Heidi Ellison

 

AddThis Social Bookmark Button

Paris Update Art Notes

ANDREAS SLOMINSKI


Recent works by Andreas Slominski at the Galerie Thaddaeus Ropac in Paris (through February 29). Video by Nikolaï Saoulski. Click here for larger screen.

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

Festival Circulation(s)

> Festival promoting the work of young European photographers, Bagatelle Garden, Bois de Boulogne, Feb. 25-March 25

Leonardo Live

> Filmed tour of the Leonardo da Vinci exhibition at the National Gallery in London, various cinemas, Paris, Feb. 16.

London Calling

> Festival of British films, Forum des Images, Paris, through Feb. 29.

Nouveau Festival

>A "cross-disciplinary" festival at the Centre Pompidou. Free admission. Feb. 22-March 12.

Paris Fine Art

> Art and antique fair, Palais des Congrès, Paris, through Feb. 20.

Robert Altman Film Festival

> Cinémathèque Française, Paris, through March 11.

Salon International de l'Agriculture

> A barnyard in Paris, with the best of the country's livestock and products made from them, Feb. 19-27

Steven Spielberg Film Festival

> The entire œuvre, Cinémathèque Française, Paris, through March 3.

Touts-Petits Cinéma

> Film festival for kids from 18 months to 4 years, Forum des Images, Feb. 18-26.

 

 

Art

 

Rurart

AddThis Social Bookmark Button

Cultivating Art in the

Country

From Pascal Bernier's
From Pascal Bernier's "Hunting Accident" series.

What’s the last thing you would expect to find deep in the heart of the French countryside on, of all places, the campus of an agricultural high school surrounded by pastures for its own herd of two hundred cows? If you said cutting-edge interactive contemporary art, you would be right.


This cache of art is indeed there, however, at Rurart, located at the Lycée Agricole Venours in Rouillé, near Poitiers. The current exhibition, “Hors Sol,” features two fascinating interactive works commissioned by Rurart from two artists. Hervé Jolly’s piece at first looks like nothing more than a white floor in a darkened room. When visitors walk on it, however, their shadows are gradually imprinted on the surface in the form of groups of colored pixels, which become denser the longer they stand still. Moving lines of contrasting colors eventually begin to run between individuals, indicating the lines of communication.

The work by Béatrice de Fay (a.k.a. B2Fays) starts out as a delicate black-and-white suspended image of the globe in 3D, revolving slowly and occasionally revealing a landmark, such as the Eiffel Tower. Visitors enter the room one at a time, equipped with a microphone, and are invited to move about and vocalize into the mike to create colorful images on the screen. The more movement and noise they make, the more creative the images (based on the artist’s paintings) become.

The show of these two ingenious works will be followed by an exhibition of French artist Pascal Bernier’s darkly whimsical animal sculptures, among them a mounted doe’s head (from the series “Hunting Tableaux”) wearing a wig and blue eye makeup and looking rather pretty in a creepy way; a spider whose web looks like a lace doily (“Spider Seduction”); a brown bear doing something naughty to a polar bear (“Bipolar Perversion,” 2001); and a bandaged life-sized blue elephant on the run (from the “Hunting Accidents” series). Rurart has also commissioned a new piece from Bernier, which will be unveiled at the show’s opening on April 1.

Rurart is not the only agricultural high school in France harboring iconoclastic contemporary art, but it is one of the more active representatives of a government-sponsored regional network for cultural activities in agricultural schools. It receives funding from the Ministry of Agriculture, Poitou-Charentes Regional Council and other regional bodies. It is also active in sponsoring other types of cultural events, including theater, a multimedia center, residencies for artists and innovative cultural exchanges.

Rurart helps promote African films, for example, by sending some of the region’s agricultural students to the Festival Panafricain de Cinéma de Ouagadougou (Fespaco) in Burkina Faso to sit on the jury and by helping to distribute some of the festival’s films in France. In 2006, Rurart organized two festivals of its own, Nemo, for digital images, and Courts à la Campagne, featuring short films with rural themes.

It is difficult to imagine efforts like this in the heart of Iowa, for example (does anyone know of any?), and we can only applaud the French government for funding such initiatives and the Rurart team, led by Director Arnaud Stinès, for its dedication to bringing sophisticated art worthy of any self-respecting Parisian gallery to the countryside.

In the past, Rurart’s three yearly exhibitions have featured works by big-name artists like Pierre Huyghe, Claude Lévêque, Andy Warhol, Kolkoz, James Turrell, Antony Gormley, Ousmane Sow and others. It also cooperates closely with and borrows works from the local Fonds Régional d'Art Contemporain (better known as FRAC), a network of regional contemporary art centers set up by the French government in 1982 as part of the county’s decentralization efforts.

Thanks to Rurart and similar efforts, the locals no longer need to go to Paree to see good art, so there’s no problem keeping ’em down on the farm.

Heidi Ellison

Rurart: CRIPT Poitou-Charentes, Lycée agricole Xavier Bernard, EPLEA de Poitiers Venours, 86480 Rouillé. Tel.: 05 49 43 62 59. E-mail: This e-mail address is being protected from spambots. You need JavaScript enabled to view it. . Web: www.rurart.org

© 2008 Paris Update


Buy related books and films from the Paris Update store.

Reader Reaction
Click here
to respond to this article (your response may be published on this page and is subject to editing).