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Photo of the Week

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Even art-loving dogs had to wrap up during the recent cold snap in Paris. Photo: Eric Tenin of Paris Daily Photo.

 

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Paris Update Fashion Flash

FRENCH MICHAEL MOORE TAKES ON
NATIONAL FOOD INDUSTRY

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The motto of Le République de la Malbouffe: "Opacity, Obesity, Precarity."

Xavier Denamur, the owner of five small restaurants in Paris, is a man on a crusade. It began with the 2009 decrease in value-added tax from 21.6 percent to 5.5 percent on restaurant meals, which he says favored big chain restaurants without helping the small independents as promised. Going beyond that issue, he blames French government policies and a lack of transparency in the food industry for the increasing industrialization of food preparation and delivery, the degradation of food quality in France, and increasing obesity and public health costs. One of his campaigns calls for legislation that would create a label informing restaurant customers whether the food is prepared from fresh ingredients on-site or is factory-made or frozen.

Denamur has formed an association called La République de la Malbouffe (The Republic of Bad Food) and has just released a documentary film of the same name, directed by Jacques Goldstein. Unfortunately, the film lacks focus and does not get his laudable message across clearly. Shown only in a handful of Paris cinemas, it is also available on DVD (with issue no. 17 of Rue89 magazine, for €5). Denamur continues to hold debates and chase politicians, hoping to get them to listen to his call for transparency. “My goal is to get citizens interested in politics again,” he says, by encouraging them to vote and write to their representatives. Heidi Ellison

 

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Paris Update Art Notes

ANDREAS SLOMINSKI


Recent works by Andreas Slominski at the Galerie Thaddaeus Ropac in Paris (through February 29). Video by Nikolaï Saoulski. Click here for larger screen.

 

Paris Update This Week's Events

For full details about an event, click on its name to visit the official Web site (in English when available).

Festival Circulation(s)

> Festival promoting the work of young European photographers, Bagatelle Garden, Bois de Boulogne, Feb. 25-March 25

Leonardo Live

> Filmed tour of the Leonardo da Vinci exhibition at the National Gallery in London, various cinemas, Paris, Feb. 16.

London Calling

> Festival of British films, Forum des Images, Paris, through Feb. 29.

Nouveau Festival

>A "cross-disciplinary" festival at the Centre Pompidou. Free admission. Feb. 22-March 12.

Paris Fine Art

> Art and antique fair, Palais des Congrès, Paris, through Feb. 20.

Robert Altman Film Festival

> Cinémathèque Française, Paris, through March 11.

Salon International de l'Agriculture

> A barnyard in Paris, with the best of the country's livestock and products made from them, Feb. 19-27

Steven Spielberg Film Festival

> The entire œuvre, Cinémathèque Française, Paris, through March 3.

Touts-Petits Cinéma

> Film festival for kids from 18 months to 4 years, Forum des Images, Feb. 18-26.

 

 

Art

 

Œuvres Construites: 1948-2009

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Œuvres Construites, pavillon de l'arsenal, paris

Models of buildings constructed in Paris over the past five decades. Photo © Vincent Fillon

The raging debate about Paris’s architectural future (maximum building heights, “Grand Paris,” etc.) has calmed considerably as building funds dry up during these tough economic times, so perhaps this is a good moment to take stock of what has been actually been built in the greater Paris area over the past half-century, the goal of the exhibition “Œuvres Construites: 1948-2009” (“Built Projects: 1948-2009”) at the Pavillon d’Arsenal.

The show, co-produced with the Centre Pompidou, has been beautifully staged by architect Philippe Gazeau. Models of 29 of the 58 projects presented seem to float in space, but are actually set on steel beams in the open area between the ground floor and the second level. Visitors look down on the models from above and can see, in the interstices, the people and exhibits on the ground floor. For a close-up look at the models, they can zoom in with one of the 18 Zeiss camcorders attached to the railings around the well; the image each camera is focused on is also projected on overhead screens around the well.

Detailed, easy-to-read information on each model is provided on large plasticized sheets hanging over the edge of the railing. They include a picture of the model to make it easy to spot and a photo of the actual building today, allowing for comparisons between intention and reality. Other projects are presented more traditionally in the surrounding spaces, with models and drawings and some interesting videos of architects being interviewed about or presenting particular projects.

All this makes for an accessible, highly enjoyable exhibition. The projects on display show that while Paris is not exactly a laboratory for radical new architecture, neither is it an architectural museum frozen in the past, as some critics contend. We also learn from this highly variegated selection of buildings that architectural coherence is no longer the norm in Paris.

In addition to a number of very well-known buildings – the Centre Pompidou by Renzo Piano and Richard Rogers, for example, Dominique Perrault’s Bibliothèque National de France and Frank Gehry’s wonderful American Center (now the Cinémathèque Française), which he once likened to “a dancer lifting her tutu” – the show presents some hidden architectural gems that few non-residents ever see, among them architect Massimiliano Fuksas’s Îlot Candie Saint-Bernard (1996), located not far from the center of Paris in the 12th arrondissement but tucked away on residential side streets,

Frédéric Borel’s Post Office building on Rue Oberkampf in Paris

Frédéric Borel’s Post Office building on Rue Oberkampf in Paris. Photo © Darren Palmer

and Christian de Portzamparc’s Les Hautes Formes (1979) housing project in the 13th arrondissement, with its subtle, well-integrated references to medieval architecture in a handsome, complex modern building. I also discovered that Oscar Niemayer of Brasilia fame had designed another building in the Paris area besides his Communist Party Headquarters in the 10th arrondissement: the curved building with a mirrored facade next to the cathedral in Saint Denis.

While some of the texts describing the projects suffer from a sort of boosterism, praising projects that don’t seem to deserve it (it is hard to agree, for example, that the Tour de Montparnasse project is “one of the most surprising successes of contemporary urban planning”), visitors will almost certainly be inspired to visit buildings that they are unfamiliar with. I myself will be taking a closer look at Frédéric Borel’s Post Office building (pictured above) at 113, rue Oberkampf (75011) and his sculptural apartment buildings at 100, boulevard Belleville and 131, rue Pelleport, both in the 20th arrondissement.

apartment building designed by Frédéric Borel, Paris

Apartment building by Frédéric Borel in Paris. Photo © Darren Palmer

Heidi Ellison

Pavillon de l’Arsenal: 21, boulevard Morland, 75004 Paris. Métro: Sully-Morland or Bastille. Tel.: 01 42 76 33 97. Open Tuesday-Saturday, 10:30am-6:30pm; Sunday, 11am-7pm. Admission: free. Guided tours with curators: January 23, February 6 and March 13 at 3pm (to reserve: 01 42 76 33 91 or This e-mail address is being protected from spambots. You need JavaScript enabled to view it. ). Through March 28. www.pavillon-arsenal.com

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